{"id":97668,"date":"2025-06-19T11:58:07","date_gmt":"2025-06-19T09:58:07","guid":{"rendered":"https:\/\/cultureelpersbureau.nl\/?p=97668"},"modified":"2025-06-19T12:05:00","modified_gmt":"2025-06-19T10:05:00","slug":"no-change-leert-hoe-je-codes-los-kunt-laten-in-het-holland-festival","status":"publish","type":"post","link":"https:\/\/staging.cultuurpers.nl\/en\/2025\/06\/no-change-leert-hoe-je-codes-los-kunt-laten-in-het-holland-festival\/","title":{"rendered":"No Change teaches how to let go of codes at the Holland Festival"},"content":{"rendered":"<p>On Wednesday 18 June, the shorts offered the bravest resistance. In the stands of Frascati 1, the tension was palpable. Would DD Dorvillier still manage to free her foot from the garment without using her hands? Restrained laughter can be heard here and there, but there is also silence. Who never tries that: kicking out trousers like that? And don't we all experience the occasional failure?<\/p>\n\n\n\n<p>The performance No Change, programmed at Frascati on Tuesday and Wednesday because of the Holland Festival, gave us a new insight into the world of Trajal Harrell. He also brings outside his sanctuary on the north bank of the IJ the kind of experimental dance we see very little of here.&nbsp;<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Own code<\/h2>\n\n\n\n<p>They are performances that bring their own code. For a viewer unfamiliar with them, these can be quite difficult to place. In this case, by the way, I am speaking entirely for myself. For example, I didn't know whether I liked <em>should<\/em> find. That was also because I felt that everyone around me knew things I didn't. And was looking very serious. Or was just bored. Could be too.\u00a0<\/p>\n\n\n\n<p>So that is the sense of exclusion that art sometimes brings: even a regular theatre can seem intimidating to a non-regular visitor. Not because the building or the offering itself is intimidating, but because all the other more regular visitors seem to know something you don't. This is why a punk feels uncomfortable at Mahler at the Concertgebouw, and why a ballet lover will feel rejected at an intrusive piece of mourning art from Lebanon. However unjustified.\u00a0<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Slapstick<\/h2>\n\n\n\n<p>So this time I couldn't take a stand at DD Dorvillier's seemingly loose-sand movements and wondered if we were now watching a literal reconstruction of an improvisation from 2005, which would again make it fit the festival theme found earlier that repetition of form does not necessarily lead to repetition of impact? Such long sentences, then. That's what you get.\u00a0<\/p>\n\n\n\n<p>But Dorvillier's movements, her wrestling with garments and cords, those unruly devices containing microphones that all record sound: it was very funny, bordering on slapstick here and there. But so then you think you are watching too superficially. While there is no wrong way to watch. That much I know after decades of watching theatre professionally.&nbsp;<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Dead pan<\/h2>\n\n\n\n<p>Until suddenly a male emerges and plays a few notes on a ready piano before leaving through a side door. All completely 'dead pan', that is, with the steely face that belongs to absurdist comedy. Laughter rolls through the room.<\/p>\n\n\n\n<p>No Change thus jettisons your own ideas about how to relate to such theatre. Yet another reason why Trajal Harrell's input as associate artist of this Holland Festival is so refreshing. You wouldn't easily experience something like this outside this context. Too bad the auditorium was only half full.\u00a0<\/p>\n\n\n\n<div class=\"su-note\"  style=\"border-color:#e5e54c;border-radius:3px;-moz-border-radius:3px;-webkit-border-radius:3px;\"><div class=\"su-note-inner su-u-clearfix su-u-trim\" style=\"background-color:#FFFF66;border-color:#ffffff;color:#333333;border-radius:3px;-moz-border-radius:3px;-webkit-border-radius:3px;\">Experienced: No Change by DD Dorvillier at Frascati ikv Holland Festival.&nbsp; <a href=\"https:\/\/www.hollandfestival.nl\/nl\/no-change-or-freedom-is-a-psycho-kinetic-skill\">No Change, or \"freedom is a psycho-kinetic skill\" - Holland Festival<\/a>.<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>On Wednesday 18 June, the shorts offered the bravest resistance. In the stands of Frascati 1, the tension was palpable. Would DD Dorvillier still manage to free her foot from the garment without using her hands? Restrained laughter can be heard here and there, but there is also silence. Who never tries that:...&nbsp;<a href=\"https:\/\/staging.cultuurpers.nl\/en\/2025\/06\/no-change-leert-hoe-je-codes-los-kunt-laten-in-het-holland-festival\/\" rel=\"bookmark\">Read More \"<span class=\"screen-reader-text\">No Change teaches how to let go of codes at the Holland Festival<\/span><\/a><\/p>","protected":false},"author":4,"featured_media":97669,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","neve_meta_reading_time":"","_themeisle_gutenberg_block_has_review":false,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":3,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"federated","footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"enabled":false},"version":2}},"categories":[6095,38,8843,3059,4759,11688],"tags":[766,16000,58],"class_list":["post-97668","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-featured","category-holland-festival","category-podiumkunst","category-specials","category-theater-podiumkunst-2","category-word-lid","tag-frascati","tag-hf25","tag-recensie"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/staging.cultuurpers.nl\/wp-content\/uploads\/2025\/06\/a1PSZ000001EA5N2AW_original-scaled.jpg","jetpack-related-posts":[{"id":85390,"url":"https:\/\/staging.cultuurpers.nl\/en\/2022\/06\/doordraaien-tegen-het-sterven-van-het-licht-op-aanwijzing-van-katie-mitchell-hf22\/","url_meta":{"origin":97668,"position":0},"title":"Turning against the dying of the light at the direction of Katie Mitchell #HF22","author":"Wijbrand Schaap","date":"18 June 2022","format":false,"excerpt":"Als de mensheid uitsterft is er ergens een vrouw geweest die als laatste geen kind meer heeft gekregen. Aan wie die eer? In het Holland Festival brengt een ensemble van twaalf performers nu een requiem voor die laatste niet-moeder. Actrice en zangeres Joy Wielkens is de buitengewoon ontwapenende hogepriesteres in\u2026","rel":"","context":"In &quot;ACTUEEL&quot;","block_context":{"text":"ACTUEEL","link":"https:\/\/staging.cultuurpers.nl\/en\/genre\/nieuws\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/staging.cultuurpers.nl\/wp-content\/uploads\/2022\/06\/a1P5J0000007TqFUAU_1660x727.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/staging.cultuurpers.nl\/wp-content\/uploads\/2022\/06\/a1P5J0000007TqFUAU_1660x727.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/staging.cultuurpers.nl\/wp-content\/uploads\/2022\/06\/a1P5J0000007TqFUAU_1660x727.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/staging.cultuurpers.nl\/wp-content\/uploads\/2022\/06\/a1P5J0000007TqFUAU_1660x727.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/staging.cultuurpers.nl\/wp-content\/uploads\/2022\/06\/a1P5J0000007TqFUAU_1660x727.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/staging.cultuurpers.nl\/wp-content\/uploads\/2022\/06\/a1P5J0000007TqFUAU_1660x727.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":61083,"url":"https:\/\/staging.cultuurpers.nl\/en\/2019\/06\/congo-is-een-nieuw-hoogtepunt-van-een-van-de-meest-betekenisvolle-holland-festivals-in-jaren\/","url_meta":{"origin":97668,"position":1},"title":"'Congo' is another highlight of one of the most meaningful Holland Festivals in years.","author":"Wijbrand Schaap","date":"15 June 2019","format":false,"excerpt":"'Ik denk dat ze het wel begrepen hebben.' Faustin Linyekula zegt het, heel rustig, een beetje verontschuldigend bijna, tegen zijn medespeler aan het eind van de voorstelling Congo. In de grote zaal van Frascati, waar ook prinses Beatrix zit, klinkt een lichtelijk opgelucht lachje. Kort daarvoor was Daddy Moanda Kamono\u2026","rel":"","context":"In &quot;ACTUEEL&quot;","block_context":{"text":"ACTUEEL","link":"https:\/\/staging.cultuurpers.nl\/en\/genre\/nieuws\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/staging.cultuurpers.nl\/wp-content\/uploads\/2019\/06\/congo-agathe-poupeney-7.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/staging.cultuurpers.nl\/wp-content\/uploads\/2019\/06\/congo-agathe-poupeney-7.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/staging.cultuurpers.nl\/wp-content\/uploads\/2019\/06\/congo-agathe-poupeney-7.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/staging.cultuurpers.nl\/wp-content\/uploads\/2019\/06\/congo-agathe-poupeney-7.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/staging.cultuurpers.nl\/wp-content\/uploads\/2019\/06\/congo-agathe-poupeney-7.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/staging.cultuurpers.nl\/wp-content\/uploads\/2019\/06\/congo-agathe-poupeney-7.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":4973,"url":"https:\/\/staging.cultuurpers.nl\/en\/2011\/06\/succesvol-holland-festival-sluit-record-editie-af-in-onzekerheid-over-toekomst\/","url_meta":{"origin":97668,"position":2},"title":"Successful Holland Festival closes record edition amid uncertainty over future","author":"een van onze leden","date":"26 June 2011","format":false,"excerpt":"Foto: Pierre Nydegger Ter afronding. Het Holland Festival van 2011 zou wel eens historisch kunnen worden. Niet alleen was het het festival dat het meeste publiek trok sinds jaren, het was ook het festival dat plaatsvond terwijl een minderheidsregering van populisten, nationalisten en materialisten het einde afkondigde van de kunstsubsidies.\u2026","rel":"","context":"In &quot;ACTUEEL&quot;","block_context":{"text":"ACTUEEL","link":"https:\/\/staging.cultuurpers.nl\/en\/genre\/nieuws\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/staging.cultuurpers.nl\/wp-content\/uploads\/2011\/06\/You-can-speak-you-are-an-animal_10-%C2%A9-Pierre-Nydegger.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/staging.cultuurpers.nl\/wp-content\/uploads\/2011\/06\/You-can-speak-you-are-an-animal_10-%C2%A9-Pierre-Nydegger.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/staging.cultuurpers.nl\/wp-content\/uploads\/2011\/06\/You-can-speak-you-are-an-animal_10-%C2%A9-Pierre-Nydegger.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/staging.cultuurpers.nl\/wp-content\/uploads\/2011\/06\/You-can-speak-you-are-an-animal_10-%C2%A9-Pierre-Nydegger.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/staging.cultuurpers.nl\/wp-content\/uploads\/2011\/06\/You-can-speak-you-are-an-animal_10-%C2%A9-Pierre-Nydegger.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/staging.cultuurpers.nl\/wp-content\/uploads\/2011\/06\/You-can-speak-you-are-an-animal_10-%C2%A9-Pierre-Nydegger.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":9205,"url":"https:\/\/staging.cultuurpers.nl\/en\/2011\/06\/hf11-we-praten-na-met-jeroen-stout-daniel-bertina-fransien-vd-putt-en-wijbrand-schaap\/","url_meta":{"origin":97668,"position":3},"title":"#HF11: We chat with Jeroen Stout, Dani\u00ebl Bertina, Fransien vd Putt and Wijbrand Schaap.","author":"een van onze leden","date":"25 June 2011","format":false,"excerpt":"\u00a0 Ter afronding. Het Holland Festival van 2011 zou wel eens historisch kunnen worden. Niet alleen was het het festival dat het meeste publiek trok sinds jaren, het was ook het festival dat plaatsvond terwijl een minderheidsregering van populisten, nationalisten en materialisten het einde afkondigde van de kunstsubsidies. We blikken\u2026","rel":"","context":"In &quot;Holland Festival&quot;","block_context":{"text":"Holland Festival","link":"https:\/\/staging.cultuurpers.nl\/en\/genre\/service\/specials\/holland-festival\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/staging.cultuurpers.nl\/wp-content\/uploads\/2011\/06\/You-can-speak-you-are-an-animal_1-%C2%A9-Pierre-Nydegger.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/staging.cultuurpers.nl\/wp-content\/uploads\/2011\/06\/You-can-speak-you-are-an-animal_1-%C2%A9-Pierre-Nydegger.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/staging.cultuurpers.nl\/wp-content\/uploads\/2011\/06\/You-can-speak-you-are-an-animal_1-%C2%A9-Pierre-Nydegger.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/staging.cultuurpers.nl\/wp-content\/uploads\/2011\/06\/You-can-speak-you-are-an-animal_1-%C2%A9-Pierre-Nydegger.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/staging.cultuurpers.nl\/wp-content\/uploads\/2011\/06\/You-can-speak-you-are-an-animal_1-%C2%A9-Pierre-Nydegger.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/staging.cultuurpers.nl\/wp-content\/uploads\/2011\/06\/You-can-speak-you-are-an-animal_1-%C2%A9-Pierre-Nydegger.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"jetpack_shortlink":"https:\/\/wp.me\/p3yKke-ppi","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/staging.cultuurpers.nl\/en\/wp-json\/wp\/v2\/posts\/97668","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.cultuurpers.nl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/staging.cultuurpers.nl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/staging.cultuurpers.nl\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/staging.cultuurpers.nl\/en\/wp-json\/wp\/v2\/comments?post=97668"}],"version-history":[{"count":2,"href":"https:\/\/staging.cultuurpers.nl\/en\/wp-json\/wp\/v2\/posts\/97668\/revisions"}],"predecessor-version":[{"id":97675,"href":"https:\/\/staging.cultuurpers.nl\/en\/wp-json\/wp\/v2\/posts\/97668\/revisions\/97675"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/staging.cultuurpers.nl\/en\/wp-json\/wp\/v2\/media\/97669"}],"wp:attachment":[{"href":"https:\/\/staging.cultuurpers.nl\/en\/wp-json\/wp\/v2\/media?parent=97668"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staging.cultuurpers.nl\/en\/wp-json\/wp\/v2\/categories?post=97668"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/staging.cultuurpers.nl\/en\/wp-json\/wp\/v2\/tags?post=97668"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}