{"id":97455,"date":"2025-06-04T15:02:01","date_gmt":"2025-06-04T13:02:01","guid":{"rendered":"https:\/\/cultureelpersbureau.nl\/?p=97455"},"modified":"2025-06-04T15:31:19","modified_gmt":"2025-06-04T13:31:19","slug":"ons-recente-theaterverleden-moeten-we-niet-vergeten-noodzakelijke-boeken-over-hollandia-en-zid-die-elke-liefhebber-zou-moeten-lezen","status":"publish","type":"post","link":"https:\/\/staging.cultuurpers.nl\/en\/2025\/06\/ons-recente-theaterverleden-moeten-we-niet-vergeten-noodzakelijke-boeken-over-hollandia-en-zid-die-elke-liefhebber-zou-moeten-lezen\/","title":{"rendered":"Our recent theatre past should not be forgotten - necessary books on Hollandia and ZID that every fan should read.\u00a0"},"content":{"rendered":"<p>Cubes of young mature cheese, butcher's liver sausage, original bitterballen and beer. On Saturday 31 May, it was as if time had stood still for about 40 years at the Zaanse Filmfabriek. That had everything to do with the occasion. On that spot, once a rusty frayed edge, now in the middle of the Zaanse city centre converted into a tourist attraction of Efteling allure, Hollandia was born.  Hollandia...&nbsp;<\/p>\n\n\n\n<div class=\"su-note\"  style=\"border-color:#e5e54c;border-radius:3px;-moz-border-radius:3px;-webkit-border-radius:3px;\"><div class=\"su-note-inner su-u-clearfix su-u-trim\" style=\"background-color:#FFFF66;border-color:#ffffff;color:#333333;border-radius:3px;-moz-border-radius:3px;-webkit-border-radius:3px;\">Read what I wrote about Hollandia in my journalistic career for various newspapers and magazines: <a href=\"https:\/\/www.wijbrandschaap.nl\/?s=hollandia\" title=\"\">About Hollandia<\/a>. <\/div><\/div>\n\n\n\n<p>Hollandia was a phenomenon from the very beginning. Maybe not for everyone in the Netherlands, but those who followed things a bit soon saw that something special had been created in gardeners' greenhouses, a junkyard, an old school. Everyone wanted to belong: a theatre group around two completely different men who wanted to make theatre for farmers and workers.&nbsp;<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Soundcloud<\/h2>\n\n\n\n<p>Author Paul Slangen has now - finally - written a book about it. A hefty book, nicely bound and with lots of pictures, plus qr codes that link to an entire soundcloud full of unique recordings. I devoured the book, which is quite unique for a book on a niche subject like the history of a North Holland theatre group that disbanded years ago. That it may be of interest to more people is due to the effort the author and his co-writers put into making it a real read.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-soundcloud wp-block-embed-soundcloud wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"lB9oQvHijpgOaRrJqUG3EuZ1hK5ydFxNcYCLTzW2M\"><iframe loading=\"lazy\" title=\"You have no chance, but take it by Theatre Group Hollandia\" width=\"1200\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Fplaylists%2F2013927657&#038;show_artwork=true&#038;maxheight=1000&#038;maxwidth=1200\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p>At the presentation of the book, entitled 'You have no chance, but take it', Slangen said he had a lot of help from fellow reader Abdelkader Benali. He especially demanded a lot of anecdotes, because anecdotes drive your story forward, just like images, another co-reader's tip. So these fellow readers ensured that the book, which is after all largely devoted to the factual history of a legendary theatre group, also has a high Nescio content.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"nv-iframe-embed\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/O9Y0R1tBEfY?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-GB&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Two men<\/h2>\n\n\n\n<p>The anecdotes are legion, the images show similarities here and there. Two men in an endless, watery polderland. At the start of the book, they are percussionist Paul Koek and disgraced ballet dancer Johan Simons, sitting by a lock in Roelofarendsveen musing on an impossible theatre idea. After which a sailing boat sets everything in motion. At the end, they are dramaturge Paul Slangen and Johan Simons in his kitchen at the bottom of the dike in the land of Maas and Waal, looking at a photo of the view over the Waal, on the other side of the dike.<\/p>\n\n\n\n<p>In between is the book that should be read by anyone who is or wants to be professionally involved in theatre in Hollandia. In a partly very personal story, Slangen describes how, as an ambitious theatre science student, he gave everything for a place at Hollandia. He wanted to become a dramaturge, but it took years before he got the job. Before that, he had countless roles and positions in the company where everyone did everything.&nbsp;<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">German repertoire<\/h2>\n\n\n\n<p>The book is a history book, but Slangen avoids an overly strict chronology. He does dwell at length on substantive considerations and practical consequences of the way Hollandia worked. It deals with the mostly German repertoire, from Buchner to Achternbusch, and the musical speaking style that gave the actors so much power over an audience that would possibly drop out in more psychological play.<\/p>\n\n\n\n<p>So every drama student should read it, but, alas, drama students don't read books anymore. I heard this not only at this book presentation, but also during that of the book 'Theatre for the here and now', which founders Sebo Bakker and Karolina Spai\u0107 wrote about their ZID theatre. That ZID theatre is about the same age as Hollandia, and like that professional company, born out of a desire to make theatre outside the established order of the theatre.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Useful work<\/h2>\n\n\n\n<p>Where Hollandia eventually led to high art, producing legendary actors like Jeroen Willems and Elsie de Brauw, ZID dove into the post-war desolation of Amsterdam West. There, they are still doing useful work, so it was time to record their working methods. Not only to make others wiser, but also to give certain techniques the right credits again.&nbsp;<\/p>\n\n\n\n<p>So-called 'storytelling', for example, a term coined in 2020 by a failed music experiment in Amsterdam West. So that technique came from Karolina Spai\u0107, but presented that club as its own invention. We now know.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"nv-iframe-embed\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/WoWxPegxsNE?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-GB&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<\/div><\/figure>\n\n\n\n<p>Spai\u0107 and Bakker's booklet is a practical book with tips and work plans. Useful, then, for students who also want to work with neighbourhood residents, newcomers, refugees and their stories.&nbsp;<\/p>\n\n\n\n<p>Slangen's book is a book that teaches you - besides such practical examples - above all how important idealism is, how good it is to experiment a lot, to start adventures without any idea where they will lead, and above all: to celebrate failures. Because in the end, failure lies at the basis of every great work of art.<\/p>\n\n\n<div class=\"su-note\"  style=\"border-color:#e5e54c;border-radius:3px;-moz-border-radius:3px;-webkit-border-radius:3px;\"><div class=\"su-note-inner su-u-clearfix su-u-trim\" style=\"background-color:#FFFF66;border-color:#ffffff;color:#333333;border-radius:3px;-moz-border-radius:3px;-webkit-border-radius:3px;\">\n<ul style=\"margin-top:0;margin-bottom:0;padding-inline-start:48px;\">\n<li dir=\"ltr\" style=\"list-style-type:disc;font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;\" aria-level=\"1\">\n<p dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\" role=\"presentation\"><span style=\"font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:700;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;\">'You don't have a chance, but take it, The Story of Theatre Group Hollandia'<\/span><span style=\"font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;\"> was published by International theatre &amp; film books, and is available from <\/span><a href=\"https:\/\/www.theaterboekhandel.nl\/boeken\/je-hebt-geen-kans-maar-pak-m\/\" style=\"text-decoration:none;\"><span style=\"font-size:11pt;font-family:Arial,sans-serif;color:#1155cc;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:underline;-webkit-text-decoration-skip:none;text-decoration-skip-ink:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;\">theatrebookstore.co.uk<\/span><\/a><span style=\"font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;\">.&nbsp;&nbsp;&nbsp;<\/span><\/p>\n<\/li>\n<li dir=\"ltr\" style=\"list-style-type:disc;font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;\" aria-level=\"1\">\n<p dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\" role=\"presentation\"><span style=\"font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:700;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;\">'Theatre for the then and now, approach and method of ZID Theatre<\/span><span style=\"font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;\">' appeared in-house at <\/span><a href=\"https:\/\/zidtheater.nl\/zid-theater-lanceert-twee-eigen-boeken\/\" style=\"text-decoration:none;\"><span style=\"font-size:11pt;font-family:Arial,sans-serif;color:#1155cc;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:underline;-webkit-text-decoration-skip:none;text-decoration-skip-ink:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;\">ZID Theatre<\/span><\/a><span style=\"font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;\">.<\/div><\/div><\/span><\/p>\n<\/li><\/ul>","protected":false},"excerpt":{"rendered":"<p>Cubes of young mature cheese, butcher's liver sausage, original bitterballen and beer. On Saturday 31 May, it was as if time had stood still for 40 years or so at the Zaanse Filmfabriek. That had everything to do with the occasion. On that spot, once a rusty frayed edge, now in the middle of the Zaanse Filmfabriek, converted into a tourist attraction of Efteling allure, the...&nbsp;<a href=\"https:\/\/staging.cultuurpers.nl\/en\/2025\/06\/ons-recente-theaterverleden-moeten-we-niet-vergeten-noodzakelijke-boeken-over-hollandia-en-zid-die-elke-liefhebber-zou-moeten-lezen\/\" rel=\"bookmark\">Read More \"<span class=\"screen-reader-text\">Our recent theatre past should not be forgotten - necessary books on Hollandia and ZID that every fan should read.\u00a0<\/span><\/a><\/p>","protected":false},"author":4,"featured_media":97456,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","neve_meta_reading_time":"","_themeisle_gutenberg_block_has_review":false,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":null,"activitypub_content_visibility":"","activitypub_max_image_attachments":3,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"federated","footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[10340,6095,4763,8843,4759,11688],"tags":[16388,16390,16389],"class_list":["post-97455","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-erfgoed","category-featured","category-literatuur-2","category-podiumkunst","category-theater-podiumkunst-2","category-word-lid","tag-hollandia","tag-zaandam","tag-zidtheater"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/staging.cultuurpers.nl\/wp-content\/uploads\/2025\/06\/johan-simons-en-paul-koek-scaled.jpg","jetpack-related-posts":[{"id":98055,"url":"https:\/\/staging.cultuurpers.nl\/en\/2025\/07\/als-peer-review-niet-kan-laat-de-intendant-spreken-mijn-reactie-op-het-subsidieplan-van-bartelse-en-adriaanse\/","url_meta":{"origin":97455,"position":0},"title":"If peer review can't do it, let the intendant speak! My reaction to Bartelse and Adriaanse's grant plan","author":"Constant Meijers","date":"30 July 2025","format":false,"excerpt":"Dat het model dat Bartelse en Adriaansse voorstellen zal leiden tot de door hen gewenste verbetering van rechtmatigheid, legitimiteit, doelmatigheid en transparantie waag ik te betwijfelen. Fundamentele ontwikkelingen kunnen niet worden waargenomen door incidentele beschouwers of mensen die vanaf de zijkant wel eens een blik werpen. De ontwikkeling van kunst\u2026","rel":"","context":"In &quot;beleid&quot;","block_context":{"text":"beleid","link":"https:\/\/staging.cultuurpers.nl\/en\/genre\/beleid\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/staging.cultuurpers.nl\/wp-content\/uploads\/2025\/07\/constant-scaled-e1753865106527.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/staging.cultuurpers.nl\/wp-content\/uploads\/2025\/07\/constant-scaled-e1753865106527.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/staging.cultuurpers.nl\/wp-content\/uploads\/2025\/07\/constant-scaled-e1753865106527.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/staging.cultuurpers.nl\/wp-content\/uploads\/2025\/07\/constant-scaled-e1753865106527.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":95926,"url":"https:\/\/staging.cultuurpers.nl\/en\/2024\/12\/het-leiderschap-van-jan-zoet-is-een-voorbeeld-voor-generaties\/","url_meta":{"origin":97455,"position":1},"title":"Jan Zoet's leadership sets an example for generations","author":"Wijbrand Schaap","date":"16 December 2024","format":false,"excerpt":"Toen de Rotterdamse Schouwburg het programma bekendmaakte voor het jaar (2001) dat de stad Culturele Hoofdstad van Europa zou zijn, organiseerde directeur Jan Zoet dat in de Amsterdamse Stadsschouwburg. In de voortdurende 010-020 strijd best een statement. Zoet wist dat de landelijke pers zetelde in de hoofdstad en zelden bereid\u2026","rel":"","context":"In &quot;ACTUEEL&quot;","block_context":{"text":"ACTUEEL","link":"https:\/\/staging.cultuurpers.nl\/en\/genre\/nieuws\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/staging.cultuurpers.nl\/wp-content\/uploads\/2015\/10\/schouwburgplein.jpeg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":17202,"url":"https:\/\/staging.cultuurpers.nl\/en\/2014\/08\/johan-simons-naar-ruhrgebied-rotterdam-den-bosch-wenen-gent-en-varik\/","url_meta":{"origin":97455,"position":2},"title":"Johan Simons to Ruhr, Rotterdam, Den Bosch, Vienna, Ghent. And Varik.","author":"Wijbrand Schaap","date":"16 August 2014","format":false,"excerpt":"Hij is de grootste regisseur van Nederland. Maar ook de minst honkvaste theatermaker die we kennen: Johan Simons. De man wiens ster al sinds de jaren tachtig rijzende is, zit nu in M\u00fcnchen. Maar daar blijft hij niet. Nadat hij het lokale gezelschap Kammerspiele internationaal nog wat steviger\u00a0op de kaart\u2026","rel":"","context":"In &quot;ACTUEEL&quot;","block_context":{"text":"ACTUEEL","link":"https:\/\/staging.cultuurpers.nl\/en\/genre\/nieuws\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":96127,"url":"https:\/\/staging.cultuurpers.nl\/en\/2025\/01\/josine-gilissen-versterkt-directie-theaterfestival-boulevard\/","url_meta":{"origin":97455,"position":3},"title":"Josine Gilissen strengthens management of Theatre Festival Boulevard","author":"een van onze leden","date":"22 January 2025","format":false,"excerpt":"On 1 April 2025, Josine Gilissen will take office as director-director of Theatre Festival Boulevard and Stichting BosseNova in 's-Hertogenbosch. Together with Dana Kibbelaar, she will form the two-headed board of both organisations. Kibbelaar has been in her role since 2022 and previously formed a duo with Tessa Smeulers, who after the 2024 edition...","rel":"","context":"In &quot;ACTUEEL&quot;","block_context":{"text":"ACTUEEL","link":"https:\/\/staging.cultuurpers.nl\/en\/genre\/nieuws\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/staging.cultuurpers.nl\/wp-content\/uploads\/2025\/01\/Directie-Boulevard_KarinJonkers_LR-jan-25.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/staging.cultuurpers.nl\/wp-content\/uploads\/2025\/01\/Directie-Boulevard_KarinJonkers_LR-jan-25.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/staging.cultuurpers.nl\/wp-content\/uploads\/2025\/01\/Directie-Boulevard_KarinJonkers_LR-jan-25.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/staging.cultuurpers.nl\/wp-content\/uploads\/2025\/01\/Directie-Boulevard_KarinJonkers_LR-jan-25.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/staging.cultuurpers.nl\/wp-content\/uploads\/2025\/01\/Directie-Boulevard_KarinJonkers_LR-jan-25.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/staging.cultuurpers.nl\/wp-content\/uploads\/2025\/01\/Directie-Boulevard_KarinJonkers_LR-jan-25.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":10108,"url":"https:\/\/staging.cultuurpers.nl\/en\/2012\/12\/jeroen-willems-1962-2012\/","url_meta":{"origin":97455,"position":4},"title":"Jeroen Willems (1962 - 2012)","author":"Wijbrand Schaap","date":"3 December 2012","format":false,"excerpt":"De grootste artiest van Nederland is dood. Kan gebeuren. Maar mag ik dan ook hartgrondig vloeken? Want Jeroen Willems is onvervangbaar. Als journalist ken je de riedel: van acteurs boven de zestig, of van anderszins breekbare statuur heb je een necrootje klaarliggen. Ben je bekend en voldoe je aan de\u2026","rel":"","context":"In &quot;ACTUEEL&quot;","block_context":{"text":"ACTUEEL","link":"https:\/\/staging.cultuurpers.nl\/en\/genre\/nieuws\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":7536,"url":"https:\/\/staging.cultuurpers.nl\/en\/2012\/04\/de-contouren-van-de-kaalslag-worden-helder-halbe-zijlstra-heeft-geschiedenis-geschreven\/","url_meta":{"origin":97455,"position":5},"title":"Halbe Zijlstra has made history.","author":"Wijbrand Schaap","date":"27 April 2012","format":false,"excerpt":"After the presentation of the Rotterdam and The Hague arts recommendations, and a few days to weeks before the harsh judgements of the Council for Culture, and a few months before the devastating reports of the Performing Arts Fund, it is starting to become clear how drastically the Dutch cultural sector is being hit","rel":"","context":"In &quot;ACTUEEL&quot;","block_context":{"text":"ACTUEEL","link":"https:\/\/staging.cultuurpers.nl\/en\/genre\/nieuws\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/staging.cultuurpers.nl\/wp-content\/uploads\/2012\/04\/Schermafdruk-op-2012-04-27-140412.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"jetpack_shortlink":"https:\/\/wp.me\/p3yKke-plR","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/staging.cultuurpers.nl\/en\/wp-json\/wp\/v2\/posts\/97455","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.cultuurpers.nl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/staging.cultuurpers.nl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/staging.cultuurpers.nl\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/staging.cultuurpers.nl\/en\/wp-json\/wp\/v2\/comments?post=97455"}],"version-history":[{"count":3,"href":"https:\/\/staging.cultuurpers.nl\/en\/wp-json\/wp\/v2\/posts\/97455\/revisions"}],"predecessor-version":[{"id":97465,"href":"https:\/\/staging.cultuurpers.nl\/en\/wp-json\/wp\/v2\/posts\/97455\/revisions\/97465"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/staging.cultuurpers.nl\/en\/wp-json\/wp\/v2\/media\/97456"}],"wp:attachment":[{"href":"https:\/\/staging.cultuurpers.nl\/en\/wp-json\/wp\/v2\/media?parent=97455"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staging.cultuurpers.nl\/en\/wp-json\/wp\/v2\/categories?post=97455"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/staging.cultuurpers.nl\/en\/wp-json\/wp\/v2\/tags?post=97455"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}